Friday, May 6, 2011

Classroom Management

With middle school, keep it SIMPLE! Here is the long 
version of my classroom management style


Classroom Management

-Statement of Purpose:
Our classroom will bring students and teacher together for the
learning, creating, and appreciation of music. This will happen
in a safe, respectful, and cooperating environment to aid each
student in their quest for knowledge and skill.

-Rules:
1) Come on time and be prepared for class
2) Respect and care for one another.
3) Be responsible for your actions.
4) Respect our classroom and all instruments and equipment

-What to expect (A Love and Logic Classroom):
1) I will treat you with respect so you will know how to treat me
2) Feel free to do anything that doesn’t cause a problem for anyone else.
3) If you cause a problem, I will ask you to solve it
4) If you can’t solve the problem, or chose not to, I will do something
5) What I do will depend on the special person and the special situation
6) If you feel something is unfair, speak to me “I’m not sure that’s fair” and we will talk

-Class Entry:
1) Entry Respectfully 
2) Check board for instructions and agenda
3) Get out instruments
4) Prepare yourself, your instrument, and your music
5) Warm up

-Class Dismissal:
1) Do not pack up until told
2) Carefully put away instruments
3) Clean up your area
4) Wait for dismissal

Artifact 10 (written while student teaching)

Artifact Reflection #10


Title of Artifact: Solo Ensemble Preparation
Date Experienced Completed: January-March 2008

Description of Artifact:
In spring 2008, while I was pre-student teaching at Platteville Middle
School, I got the experience of helping plan for this event. I had no idea what
kind of preparation has to go into planning a huge event like this. I was given
many tasks. One of these tasks was taking the students participating in solo
ensemble, and setting up times to work with their piano players. I had to take
the schedules from the orchestra teacher, and choir teacher, and make sure
student’s lessons didn’t overlap. This was challenging as many students are in
multiple events for each area (voice, band and choir)! Students were to meet
with their piano player two-four times before solo ensemble. What made the
job even more difficult was the fact that the piano players had only certain
times they could be there. My artifact is the actual schedules I made with the
student’s lesson times, and a note that was to be sent home with the schedule to
the student’s parents. Students were responsible for their own lesson time. So I
hung copies of the schedule all over the band area.

Wisconsin Teacher Standard Alignment:
I believe this artifact best aligns with Standard Ten: Collaboration:
Teachers are connected with other teachers and the community. I chose this
because during this planning process, I had to be in constant communication
with the students, teachers, and parents of Platteville Middle School. Each area
of music had its own room where it was to be performed. This way, a judge
who plays saxophone could judge the saxophones, and know what he/she is
talking about. The rooms were divided as follows: all vocal solos, all vocal non-
solos (duets, trios, quartet, and chamber works), all string instruments,
clarinet/saxophone/flue, trombone/euphonium, tuba/trumpet, percussion, and
piano solo/duets. In order to get all the rooms straight, we had to talk with all
the other teachers in the school and make sure it was ok to use their rooms for
the day. We had to take everything out of their rooms, and mark it with the
appropriate signs. This required mass collaboration with not only the teachers,
but also the custodial staff, and principal.
There also has to be constant communication with the other music
faculty. We are all planning this together, and all arrangements and changes
need to made public so everyone involved can keep up with the most up to
date corrections.
We also got the task of conveying all the information to the participating
schools. For Platteville’s district, this meant Belmont, Lancaster, Richland
Center, River Valley/Spring Green, and Bluff View Middle Schools. I personally
didn’t get to send information to these schools, but I got to witness all the paper
work that was constantly being shipped there.
And lastly, I got to communicate with the community. They are always
looking for helpers for these events. Someone to watch the doors, quiet people
in the hallway, hang up scores, and many other tasks that need to be filled that
day. I got the assignment of contacting the college community and looking for
volunteers. It was a hard assignment because most college kids don’t like to
give up their Saturdays. We also asked for help from the music boosters, and the
parents of the students (as you can see from my artifact).

University Wisconsin Platteville School of Education Knowledge, Skill,
Disposition Statement Alignment:
My artifact aligns with KSD4.c.-Communicates with Families, because
we are continuously updating the parents on the student’s progress, and when
the student’s next lesson is being held. We also need to convey the specific
details for the day so parents know when and where their children need to be to
be heard by the judge. SD4.d. -Contributes to the School and District, because
one of my tasks for this artifact was finding and arranging volunteers to work
this festival. It also involved organizing different school districts, teachers,
parents, and students to come together for one unified event. And KSD4.f.
Shows Professionalism, because it was my duty to help prepare the student to
the best of their abilities. By working with and preparing these students, they
gain not only a good learning experience, but also confidence to know that they
can succeed in other aspects of life. They also learn time management, and
good practicing technique, which will serve them for their future in, and outside
of music.

What I Learned from This Experience:
I learned a lot about organization! You have to have everything in order
for this to run smoothly. I learned that not everyone is as flexible as they expect
you to be, and you have to be ready for that. By planning as many scenarios as
possible, you can best prepare for the unexpected. I observed how a community
can come together to help host an event that means so much to the students.
Most importantly, I learned how much work it takes to get something like this
together, even if the event only takes eight hours to complete.
It was such a wonderful experience! I had been to solo ensemble so
many times myself as a participant, that it was nice to see it from a different
perspective. I now have a new found respect for all the hours and organization
that goes into planning such a large event.

What I Learned About Myself as a Prospective Teacher:

I learned that students can improve greatly with motivation. By having
this deadline, and the goal of getting a good score, children that don’t excel
above average in band, found themselves practicing everyday, and striving to
always be better. It is my personal philosophy that this is how students should
always feel. Many of the students did really great, but nerves got the best of
some of them. It was a really good learning experience for the students, and I
am really glad I got to observe it from a “teacher’s” perspective. Getting to
watch the students from the very beginning when they picked out their solos, to
the very end when they did their best for the judges, was something just short of
astonishing to me. I can’t wait to have students of my own, and watch them
grow and develop into young musicians!

Artifact 9 (written while student teaching)

Artifact Reflection #9


Title of Artifact: Reflecting on a lesson plan
Date Experienced Completed: Spring 2007

Description of Artifact:
In the music education class “Elementary Music for Music Education
Majors”, we write mock lessons plans and present them to the class. We are
given a topic, and make a lesson plan for a targeted elementary grade (K-4). We
then give that lesson plan to the college class, as if the college students were
children from that targeted elementary grade, and see if our lesson plan would
be effective or not. My lesson plan was about teaching a song and dance called
“Blue Bird, Blue Bird, on My Window”, to a class of second graders. The lesson
plan describes teaching the class the simple song line by line. It was easy to
teach because it was to the tune of “Ten Little Indians”. Once the words were
learned, teaching the dance was as easy as putting motions with the words. The
college students acted like second graders-by moving around a lot and not
thinking like college students. They asked questions like second graders-if
something wasn’t completely explained, they weren’t allowed to make
assumptions, they had to react exactly the way it was presented. And they
misbehaved like second graders- by not keeping their hands and feet to
themselves, talking out of turn, and sometimes saying inappropriate things. But,
the song and dance were successfully learned by the end of the hour.
After executing the lesson plan, we had to write a reflection about how
the lesson plan went. Things we liked, things we disliked, and things we will
change or keep when we use it in a real classroom. We also had to access how
we handled the lesson, how we handled the class, and whether it would work
in a real classroom or not.
In this reflection, I addressed things I liked about this lesson plan. I
thought it moved at a really good pace for second graders. This would keep the
class actively involved the whole time. It was set up so that if anyone had a
question, the question could be answered by the class doing that certain part
over again. It moved fast enough that the students would be engaged the whole
class period, but moved at a pace that was easy to learn, and follow at a second
grade level. A second grade level means learning the pitches of the song by
listening to the teacher. It is slowly paced, and the children can learn at their
own speed. They learn the words with the pitches, but if necessary, the words
could be written on the board, or read from a book. I learned that there wasn’t
much to dislike about this lesson plan. It moved so smoothly. As for things that I
would change, I know that every child learns differently. If there was a child
with special needs, I would accommodate that. A child with a physical
disability could do a modified dance, or help me play an easy instrument to
accompany the song. A child with a learning disability could still learn this song
and dance. I wouldn’t expect it to be perfect, but the dance is easy enough, that
with a little help remembering what comes next, it could be executed with the
other students. I feel I handled the lesson well. What needed to be learned was
learned, and the students even had some fun with it. As for handling the class,
college students are NO WHERE near what a second grade class would be.
College classmates, being my peers, did and said things no second grade class
would do. Granted, a second grader may stop in the middle of the dance and
ask where babies come from, but it would be handled by the class differently
then the college students. I feel this lesson would be completely feasible for a
second grade classroom. Easy songs and dances are the focal point for second
and third grade general music classes. This song and dance is completely
plausible for a second grade class, and I would use it in my classroom. The song
is well known, and the words are repetitive. This song fulfills Wisconsin Music
Standard 1: Students in Wisconsin will sing, alone and with others, a varied
repertoire of music.

Wisconsin Teacher Standard Alignment:
I believe this artifact best aligns with Standard Nine: Reflection: Teachers
are able to evaluate themselves. I align it this way because that is exactly what
my artifact is, evaluating myself. In this artifact, I have looked at my lesson plan
from a third party stance, and evaluated the positive and negative aspects of it.

University Wisconsin Platteville School of Education Knowledge, Skill,
Disposition Statement Alignment:
My artifact aligns with KS4.a-Reflects on Teaching. In my evaluation of
my teaching this lesson plan, I looked at the effective aspects, as well as the
things that need to be changed for future use. Effective things, like the pace at
which the lesson plan was given, can be kept. Things that may need to be
changed, for example, if there is a student with special needs, can be adjusted,
and adapted to future classrooms. In this reflection, I was able to look at my
teaching experience and give an evaluation that showed both negative and
positive experiences. Positive experiences like being able to control a classroom
with classroom management skills. And negative experiences, like not breaking
down the dance in small enough chunks the first time, and losing some of the
class. By being able to make these changes, and evaluations, I feel it will
increase the success rate of this lesson plan in future situations.
My artifact also aligns with KSD4.e-Grows and Develops Professionally. I
am always aware and willing to take the opportunity to improve and further the
teaching skills. I know that there will always be something different I can try. I
know that there will always be ways to better myself, and my teaching methods.
I use this to constantly evaluate myself, and teachers around me. I pull ideas
from teachers that have inspired me, and cast aside things I would never do in a
classroom. Only from self evaluation can we fully develop our teaching skills.

What I Learned from This Experience:
I learned so much from this experience. I learned that a classroom of
college students can in no way prepare you for an elementary classroom!  I
learned that the best experiences you can have as an education student is with a
real classroom. Observing, teaching, and evaluating.

What I Learned About Myself as a Prospective Teacher:
The main thing I learned is that I can write a lesson plan, teach that
lesson plan, and evaluate myself critically. Peers can give you all the feedback
in the world, but until you sit down, and look at what you are doing, you can
never really grasp your effectiveness in the classroom. I was really nervous to
teach this lesson plan, because I thought it was going to need more time than
the class hour allotted. As we started going, I realized it was going to fine, and
could really have fun with the lesson. I learned to take a good hard look at how
I am teaching, and the ways I can improve, or compliment myself. By doing this
evaluation, I was pleased with just how much I have created my own style of
teaching. When I started to teach, I tried to be just like teachers that I had, that
had inspired me. But now I feel like I have taken the positive ideas they had
instilled in me, and adapted them to my own way of teaching. I really liked
writing this evaluation. I feel I learned effective tools for the future.

Artifact 8 (written while student teaching)

Artifact Reflection #8


Title of Artifact: Mock Solo Ensemble at High School
Date Experienced Completed: Spring 2008

Description of Artifact:
High school music students at Platteville high School spend a large
chunk of second semester preparing for solo ensemble. This means picking out
a solo, working through all the notes and rhythms, and eventually getting it
together with a piano player. The students are expected to work on this music
between lessons on their own.
There are many different and difficult aspects of a solo preparation, and
the best way to test them all at the same time is to perform them as much as
possible. Music teachers want to make sure that every study is progressing on
their solo. A great way of testing this is with something called “Mock Solo
Ensemble.” This is where the student plays through their solo at different stages
of learning it. They play it for the teacher and another judge who can offer
comments and a “score” just as they would receive at the real solo ensemble.
While I was pre-student teaching, I got to be one of those judges. My
artifact is a blank comment sheet, and a comment sheet that I filled out for one
of the students playing their solo. The comment sheet is very versatile. It can be
used to provide comments, give a numerical score, or as a peer evaluation
sheet. No matter how it is used, the student will learn from it, and grow as a
musician.

Wisconsin Teacher Standard Alignment:
I believe this artifact best aligns with Standard Eight: Assessment:
Teachers know how to test for student progress. I aligned it this way because
when you have a comment sheet that lays out what is needed at this stage of
solo development, you can fully asses what needs to be worked on, and what is
going well. This is an excellent tool for music teachers because it is the same
sheet a real judge at solo ensemble would use, and you can best prepare the
students for the real thing through thorough and accurate assessment. It also
comes in very handy with peer evaluation. I feel peer evaluation is important
because the peers evaluating not only assess the player, but also reflect on their
own performance. They have to use the knowledge they have gained through
assessment to correctly evaluate their peers. By having this sheet, students can
know and understand exactly what needs to be worked on, and what the judges
will be listening for. These comment sheets can also be used with everyday
playing for defined evaluation from the teacher.
This form of assessment takes aspects from both formal and informal
assessment. Formal, because it is taking the students and breaking their playing
down into points, and comparing them to other students. By setting the standard
of “A senior in high school should be able to score a “1” on a class B solo”, you
have set that bar of achievement. When a student does better or worse, they are
above or below average, like in standardized testing. The teacher has data to
support these conclusions.
It can also be considered informal assessment because it is performance
based. Especially when being assessed by peers without being assigned a grade.
You can’t set a standard for how everyone plays something. Music isn’t as easy
to grade as more content-based subjects. It’s all subjective. Anyone can read a
note on a page, it’s how you play that note, or add emotion to that note, that
makes it different than everyone else’s. It’s more than just content based.
I feel this form of evaluation is a good mix of both because there are too
many variables (grade, instrument, judge, years played, etc.) to standardize
musical ability. You have to identify performance objectives, instruct the
objectives, and assess based on their completion.

University Wisconsin Platteville School of Education Knowledge, Skill,
Disposition Statement Alignment:
My artifact aligns with a couple KSDs. KSD1.f-Assesses Student
Learning. I align it this way because comment sheets that are arranged in this
manner are very clear, and completely state the goals you’re trying to
accomplish. It is organized, and lays out exactly what objectives the students
should work on. KSD3.d- Provides Feedback to Students, because that is
exactly what a comment sheet is. It is a reference point for feedback for the
student. You can be as precise as you need to be. It is also something the
student can take with them, and look back on when practicing. It would serve
as a good source to show parents their child’s progression during parent teacher
meetings. You can take the sheets from the different weeks, and show the
parents how their child’s scores have changed. KSD4.b-Maintains Accurate
Records, because these comments are now recorded. They can be filed, and
referenced back to if needed. At the end of the semester, you can take out all
the comment sheets and look through to see if their scores have progressed.
This can help assess student improvement. If their scores have progressively
gotten better, this means that they are growing and practicing at a steady rate. If
their scores are stagnant, this could indicate that the student didn’t prepare to
their fullest.

What I Learned from This Experience:
I learned where to find helpful assessment tips online, and where to
download these comment sheets from the WSMA (Wisconsin State Music
Association) website. Also, I learned from an outside perspective how much
nerves play into a performance. I observed the most talented students making
errors on easiest parts because they were nervous, and they knew they were
being judged. It really made me appreciate why we were doing this: so we
could prepare them for the real thing. Solo ensemble is just a small part of their
music education, but it is one of the hardest parts of being a high school
musician. For some students it is their first time being judged on their playing.
By doing this mock solo ensemble, we help them take that first baby step
towards professional evaluation.

What I Learned About Myself as a Prospective Teacher:
The biggest thing I learned about myself as a future music teacher is that I
feel comfortable assessing problems. I feel confident enough to listen to
instruments I don’t play, and assess what needs to be done to make their
performance step up a notch. I thought I was going to have a hard time
assessing brass, being a woodwind player, but I realized that the fundamentals
of music are there no matter what instrument you play. Even if you can’t
completely give alternate fingerings on the trumpet, you can explain dynamics
and tempo, or that small articulation that will really make a difference in their
playing. I enjoyed doing this because it made me think about all those method
classes I took in college. To accurately assess a student, I really need to draw
forth everything I’ve learned in college, and apply it all together!

Artifact 7 (written while student teaching)

Artifact Reflection #7

Title of Artifact: Lesson Plans for All Ages
Date Experienced Completed: Fall 2008

Description of Artifact:
While student teaching at Wisconsin Dells High School and Middle School, I
realized just how many lesson plans teachers have to make every week. My artifact
is two lesson plans I made while student teaching. One lesson was for the 6th grade
beginning band at Spring Hill Middle School. I taught a lesson about time
signatures where we worked on playing in 3/4 time. And one was for the
upperclassmen band, Symphony Band, at Wisconsin Dells High School. I ran a full
band rehearsal where we worked on “Suite in Bb” by Gordon Jacob.

Wisconsin Teacher Standard Alignment:
I believe this artifact best aligns with Standard Seven: Instructional Planning. I
aligned it this way because lesson plans are instructional planning!  This standard
talks about knowing the subject, pupils and instructional goals enough to plan
different types of lesson plans. In this artifact, I have two very different lesson plans.
One is for a beginning band, and the other is for the most advanced band. This
really shows not only the diversity of the subject and ages, but also on what the
final instructional goal is. The lesson for the young band focuses on them learning
something generic. Understanding basic musical concepts. While the lesson for the
advanced musicians is something that requires knowledge, practice, and abstract
rhythmic thinking. They are two very different lessons that meet two very different
educational needs.

University Wisconsin Platteville School of Education Knowledge, Skill,
Disposition Statement Alignment:
My artifact aligns with KSD1.c-Selects Instructional goals. I feel this because
the goals set in these lesson plans are made to be easily assessed. Music teachers
have it very lucky. When students get advanced enough to start to separate into
those who get it, and those who are struggling, band music modifies itself. By
creating different parts (i.e. Clarinet 1, Clarinet 2, Clarinet 3) students get
challenged to their own ability while still reaching the class goals, and state
standards.
I also feel it aligns with KS1.e-Designs Coherent Instruction because both
lesson plans set goals, and take the proper steps to reaching those instructional
goals. The lessons take into account the age and experience of the students, and
sets goals appropriate to ability and school standards.

What I Learned from This Experience:
I learned a lot about forward planning and organization! You have to be
organized to have full band rehearsal. You have to be able to make progress
everyday, no matter how big or small that progress is. And lessons change! You
don’t have to stick to a lesson to the word. Let the class take you where it needs to
go. If you go further then your lesson plan, that’s great. If you don’t accomplish
everything, hopefully you taught them something else towards your overall goal.
I learned how much you have to know about your students to write lesson
plans. For full band rehearsal, you have to know what sections need the most work.
And for beginning band, you need to know how far they can get in an hour.
And the biggest lesson is time management! You have to get really good at
estimating how long it will take your students to learn something. I found that I
would rather have too much planned, so you always have somewhere to go, rather
than not enough, leaving you scrambling in front of your class. I’m good at pacing
and time filling.

What I Learned About Myself as a Prospective Teacher:
I learned that I have the ability to plan really detailed lesson plans, and execute
them in the allotted amount of time. I learned that I really know my students, and
know their abilities and weaknesses. I made the lessons so that we could start with
something to get their attention, then work on some really tricky passages, and end
it all on a positive note so they leave feeling good about what they have
accomplished. Not all my lesson plans are this detailed, but I found I like to write
as much as I can. I set lots of tasks, but in bitable amounts.

Artifact 6 (written while student teaching)

Artifact Reflection #6

Title of Artifact: “Music Family” PowerPoint
Date Experienced Completed: Spring 2005

Description of Artifact:
Education majors take a class called “Computer Applications in
Education”. In this class you learn how to use computer programs you will be
encountering when you are a teacher. You learn Microsoft Excel, PowerPoint,
Word, how to use a Mail Merge, how to create a calendar, and many other
applications. For this class, I made all of my assignments as if I were a music
teacher. One of the assignments was to create a PowerPoint of the topic of our
choice. I chose to make a PowerPoint explaining the different sections of a
band/orchestra. I explain them as a “Music Family”, and how each section is
unique.
I break them into the separate sections of a band/orchestra. I explain:
woodwinds, brass, percussion, keyboards, and strings. I took pictures of them
all, and compare them to each other within the respective “family”. An
example: When I explained the woodwinds, I divided them into “high winds”
and “low winds”. The high winds consist of: piccolo, flute, oboe, English horn,
Eb/alto/and Bb clarinets, and soprano/alto saxophone. Within this “high winds”
family, I show pictures of each one, and how they all differ, but belong to the
same family. A piccolo and a flute are both long, silver instruments that like to
play high, and have a beautiful tone. The clarinets are made from wood. They
all look a little different from each other. The clarinet is the “section leader” of
the band, meaning that they are the ones in charge of tuning, and they are the
section that usually gets the recognizable melody. The saxophones are made
from brassy metals. Like the clarinet, the bigger they are, the lower they sound.
Saxophones are used a lot in jazz. They have a very airy sound, and like to play
fast. Oboes and English horns are made from long pieces of wood, and have a
very nasally sound. If you hear an oboe, you can instantly tell what it is. It has
one of the most unique sounds of the band. I explain that although they are all
different, they are part of the same family. They are called “woodwinds”
because a long time ago, when they were first invented, they were all either
made of wood, or played on wooden mouthpieces. They all have a beautiful,
lyric sound, unlike the harsh brassy sound from the brass section. They all like
to play high, and they are some of the most popular instruments in the band.
This PowerPoint is full of slides just like the examples I have given. It is a
detailed, yet easy to understand breakdown of the instruments. It could be used
in elementary general classrooms to introduce the instruments to the students,
in a high school general music class to get more in depth when learning about
score order, or in a middle school to help the beginning band students choose
what instrument they might want to play. This PowerPoint is very versatile, and
is something I will use in my classroom.

Wisconsin Teacher Standard Alignment:
I believe this artifact best aligns with Standard Six: Communication:
Teachers Communicate Well. I aligned it this way because standard six talks
about using verbal and non-verbal communication as well as technology to
teach, and encourage interaction. To make this a fully successful lesson plan, I
would actually bring in the instruments or a recording of the instrument being
played. I would create a “musical petting zoo”, so the children would be able to
interact with the instruments, and see them up close and personal.
As for technology, I feel PowerPoint is a very effective use of technology,
and a very effective way to communicate everything that needs to be said,
while keeping it interesting, and actively engaging the children. This
PowerPoint can be given to any music teacher, and be used in any classroom,
and the information is still accurate, and timeless.

University Wisconsin Platteville School of Education Knowledge, Skill,
Disposition Statement Alignment:
My artifact aligns with KS3.a-Communicates Clearly and Accurately. I
chose this because the PowerPoint uses language accessible to the students.
Any new language introduced is clearly defined so the students can learn it, and
adapt it into their music vocabulary. By using pictures, sound, and text, you can
appeal to many different forms of learning. It has been adapted to that any
student can take something from it. Advanced student will walk out of the
classroom, and be able to describe each family in detail. Other students may
walk out and know that there are different sounds in the band, and instruments
all look different to get different sounds. The younger students will appreciate
the pictures and sounds, and the older students will appreciate the text and
content.

What I Learned from This Experience:
I learned that I love making PowerPoints! I feel it is a very efficient and
interactive way to make your lesson plan stick! They are easy to make, and fun
to share. They can also be easily changed and adapted to any need you may
have. You can also print them to hand them out, or send them to parents over
email. I feel PowerPoints are one of the most versatile technology options
teachers nowadays have.

What I Learned About Myself as a Prospective Teacher:
I learned that I can fully and clearly explain the sections of a
band/orchestra. Through my experiences in instrumental technique classes, and
being in a band and orchestra for many years, I can break down, and compare
and contrast the instruments all students of music should know. I also learned
that by making a PowerPoint, you learn the information better yourself. You
have to think critically about how you are going to project the information so
that all students can learn and understand. You have to take into consideration
anything that might alter the lesson, such as disabilities of students, or grade
level you are presenting to. I learned that when it comes to introducing
instruments, this multi-media venue is my lesson of choice!

Artifact 5 (written while student teaching)

Artifact Reflection #5


Title of Artifact: Managing Outside the Classroom
Date Experienced Completed: Fall 2008

Description of Artifact:
While student teaching at Wisconsin Dells High School, I had many, many
opportunities to teach outside the classroom! I think that being a band teacher is
one of the only teaching positions that has a lot of out of the classroom activities.
Marching band, halftime shows, pep bands, concerts, and extra performances. This
artifact is a series of pictures from my time teaching outside the classroom. I have
pictures from the following events:
1.) Pep band, played in the gym at the high school.
2.) Fall marching band concert, played in the gym at the high school.
3.) We had Japanese teachers come to the school and teach the students
about Japanese life, music and dance. I got to help teach the 6th graders a
traditional Japanese dance called “Tan-Ko Bushi”.
4.) 6th grade beginning band concert, played in the gym at the middle school.
5.) When Wisconsin Dells re-opened County A after it had been washed
away with the draining of Lake Delton, WI Governor Jim Doyle was there
to cut the ribbon. At his request, the band was there to play. It was ten
degrees Fahrenheit, and the biggest problems were instruments and
students freezing. Our most challenging outing yet.

Wisconsin Teacher Standard Alignment:
I believe this artifact best aligns with Standard Five: Environment. I feel this
because standard five is about managing a classroom using self-motivation and
creating a safe learning atmosphere. As a music educator, you realize that the
average band you teach is way bigger then a normal classroom. Here in the Dells,
we have 90 students in the symphony band. You would never run into an English
room with 90 students in it. And when you move these students out of the
classroom setting into a performance or activity situation, it makes classroom
management that much more important.
All these outside of school activities and performances require tons of
planning and preparation. They have to be organized, and executed precisely for
student safety and to obtain the goal of the outing. It’s not just about classroom
management; it’s about the preparation needed for classroom management. You
have to be accountable for every child. When you have something like a concert,
classroom management is more formal. The students are dressed nice, and you are
there to perform for the parents and the community. But when you play at a pep
band it has a whole different feel to it. The band is sitting next to the student
section, and now you have all these outside influences on the band students. It is a
very relaxed setting. Students are watching the game. There is a bigger chance of
something going wrong at a pep band, just because there are so many other
students to influence or contribute to the “classroom”.
But all of these situations outside the classroom still need the elements of the
everyday classroom. Respect, responsibility, and personal accountability follow us
everywhere we go. The students understand this. That is why we are able to do so
much with them.

University Wisconsin Platteville School of Education Knowledge, Skill,
Disposition Statement Alignment:
My artifact aligns with many KSDs. KSD2.b-Establishes a culture for learning,
because that is what every teacher strives to create. When you have a concert, the
student can’t help but walk of stage knowing they accomplished something great.
The weeks or months before a performance the student will make large strides in
improvement. Improvement they can actually hear and measure for themselves. I
feel KSD2.c-Manages classroom procedures, and KSD2.d-Manages student
behavior, go together because once classroom procedures have been established
student behavior management will take care of itself. The band room has a rule of
mutual respect. You respect your peers, you respect your teachers, and you respect
yourself. All other discipline areas fall into those categories. The band room has
always been a safe place for students to learn, and to find a place to belong.
And lastly, it aligns with KS2.e-Organizes physical space. When you have 163
students to cram into a small section of bleachers, you have to organize space the
most effective way. In and out of the classroom, you need to not only organize
students where they will learn their best, but also where they will play their best.
This means knowing each student and what they can and cannot handle in a
classroom. Do they need more wiggle room? Do they need to sit next to someone
who can help keep them in their place? You have to take each student and put him
or her where they are going to have the most success.

What I Learned from This Experience:
I learned some really important things from all these experiences. One very
important lesson is that “HotHands” personal hand warmers, when wrapped
around valve instruments, will keep instruments from freezing up. This absolutely
saved us when played for the governor.
I also learned 6th graders love to dance. When we brought the Japanese
teacher in and taught the 6th graders the dances, they were so cooperative and
respectful. I learned what a fun lesson can do for classroom management. You
don’t have to be sitting still to have the students behave.

What I Learned About Myself as a Prospective Teacher:
I learned just how excited I am to perform so much. It’s kind of backwards in
music education. While in other subjects you have time to study and prepare
before a final exam, in music, you are thrown in the first week with a field show.
You have more performances in the beginning with less preparation. Within the
first month of school you could have four half time shows, two parades, and maybe
even a school pep assembly.
I also learned just how much exposure you get as a music teacher. When you
do a field show, you have more people in the audience then you will probably
have at any concert. Other teachers are there. Lots of your student’s peers are there.
Parents and administration are there. Your students’ progress is being monitored by
everyone that comes to a football game, or a parade. And thankfully, band kids are
up to the challenge.
I learned a lot about placing students where they are going to excel. Some
students need to be placed where they can feel comfortable playing out. Some
need to be placed where they can watch and model the student next to them.
There are a million and one combinations. You just have to keep trying until you
and the students get it right.

Artifact 4 (written while student teaching)

Artifact Reflection #4

Title of Artifact: Paper on teaching high brass
Date Experienced Completed: Fall 2004

Description of Artifact:
For the music methods class “High Brass Techniques”, we have to write a
paper at the end of the semester summarizing all that was taught throughout the
class. I wrote my paper so someone who has never played trumpet or French
horn before could read it and teach someone how to play. I used simple
language. This way, when non-music people read it, they can hopefully learn
from it. It is a detailed, step-by-step instructional paper on how to begin a
student on a high brass instrument.

Wisconsin Teacher Standard Alignment:
I believe this artifact best aligns with Standard Four: Instructional
Strategies. I feel this because standard four talks about using different
instructional strategies to encourage development of the student’s performance,
and that is exactly what my paper entails. This paper outlines the basic
problems encountered with a beginning brass student, and the different venues
of correcting them. It covers improper posture, and how to get them to sit
straight. What to do if someone isn’t breathing right, and how to get students to
breathe with their diaphragm. It also covers problems with how they are
holding the mouthpiece to their mouth, and the proper way to blow through a
horn to get a good full sound. Lastly it covers how to start a student, that is, take
a student who has never played brass before, and start them from scratch on the
instrument. What instrument is best for what mouth shapes, getting the student
to take care of their instrument, the basics. As for promoting technology, there
are many videos available that cover the same topics summarized in this paper.
We are taught to analyze playing problems by observing the student, asking
questions, making small adjustments, and not trying to correct everything in a
day. An example is: if a student is getting a thin, weak sound, have them sit up,
and take deep breaths from deep in their diaphragm. Have them sit with their
hands on their upper stomach, lower lung area. Have them take deep breaths.
Their stomachs should push out while breathing in, and deflate as they breathe
out. After having them do this several times, put the instrument back to their
mouths, and use their new found air for fully push the air through the horn. You
can also use this method to fix pitch issues, and posture. This paper gives a
detailed and simple enough break down so that problems can be assessed and
resolved.

University Wisconsin Platteville School of Education Knowledge, Skill,
Disposition Statement Alignment:
My artifact aligns with KS1.d-Demonstrates Knowledge of Resources. I
feel this because the paper is based heavily off of lectures from distinguished
teacher G. Dan Fairchild at the University Wisconsin Platteville. It also draws
upon the knowledge we learn from high brass handouts, and videos we
watched in class. There are many videos made available to teachers that have
very valuable information in them. I took many of those tips and tricks of the
trade into mind as I wrote this paper. I also feel it aligns with KS3.b-Uses
Questioning and Discussion Techniques. I feel this because a large part of
correcting student errors is leading them to correct themselves. By asking “How
do you think breathing effects sound quality?” you open the door for a
discussion that will greatly improve the student’s knowledge, while fixing a
common problem, like poor breath support. By asking questions, you not only
give your best assessment, but also help the student assess and correct
themselves. My artifact covers ways to ask small questions to get big results (like
the example mentioned before).

What I Learned from This Experience:
This paper was an experience in itself. It represents a semester of work.
By studying text, hands-on experience, and the instruction of a high brass
teacher, I learned while writing this paper how to teach high brass instruments.
This is a crucial step in a music teacher’s career. I learned how to fix common
problems, like breathing, posture, and mouth position, in beginning band
students, and how to start brass students in general. I really got a sense of what
impact these changes make. When you make small corrections on how a
student plays, you aren’t just making that correction for that second. You are
impacting their entire music career. Something you change, having them hold
their trumpet at ten degrees parallel from the ground for example, is a small
correction that will change how they sound and perform from that point on.
Especially when you have the student correct that in themselves, it will stay
with them forever.

What I Learned About Myself as a Prospective Teacher:
The most important lesson learned about my prospective teaching career
is that, although I am a woodwind player, I can teach brass. Any woodwind
player would feel a little insecure going into beginning band, and having to
teach brass. But after taking this class, writing this paper, and having to teach a
mock lesson that mirrors the paper, I feel much better about my brass teaching
capabilities. Along with this paper, we had to make a whole three-ring binder
explaining how to teach high brass. When I am out in the teaching world, I will
have this paper, and the class binder to look back on and help with any
questions I have. I now can confidently say I know how to teach brass!

Artifact 3 (written while student teaching)

Artifact Reflection #3

Title of Artifact: O.E.Gray Early Learning Center
Date Experienced Completed: Spring 2008

Description of Artifact:
In the spring of 2008, I took the class “Psychology of Learning”. For this class
we had service learning hours working with children who have special needs. For
my hours I worked in the three and four year old kindergarten with special needs
room at O.E.Gray Early Learning Center. Here I worked with16 children with
various mental and physical special needs. The disabilities ranged from many forms
of autism and speech impediments to missing limbs and undiagnosed cognitive
disabilities. I did early morning individual reading time, music hour, group story
time, snack time, craft time, and recess. It was wonderful. I enjoyed my time so
much that I stayed after my hours were done until the year was over. This artifact is
pictures of music time. The kids sat on large inner tubes so they could bounce
while they sang to the music. In these pictures we are singing “Itsy Bitsy Spider”
with hand actions they learned.

Wisconsin Teacher Standard Alignment:
I believe this artifact best aligns with Standard Three: Diversity. I feel this
because standard three talks about knowing that children learn differently. In this
room, we had so many different levels of learning and ability that lessons had to be
adapted individually no matter what we did. A big part of this was repetition. We
had the same schedule for everyday of the week, with slight variations within the
base schedule. Example being group stories changed on Tuesdays, or the letter
songs we sang rotated everyday. I helped on Tuesdays and some Thursdays. The
students who were higher functioning knew the schedule pretty well and even
helped us take care of the children who needed more help.
We adapted everything we did for the individual child to learn to their best
ability. Student A had an arm missing. So when we did crafts, we showed him
different ways to use the tools around him, or started the project before school so
that he didn’t have as far to go in the craft period. Student B was non-verbal and
didn’t respond to directions. We would sit with her and move her arms to the
music the same way all the other children were. By having repletion, a steady
schedule, and individual modifications for each child, the room was a successful
place for learning no matter what barriers or learning approaches they have.

University Wisconsin Platteville School of Education Knowledge, Skill,
Disposition Statement Alignment:
My artifact aligns with KSD3.e-Demonstrates flexibility and responsiveness. I
feel this because although we had a very wide range of functionality, each child
got the attention and modifications needed for their individual requirements. The
teachers knew each child well enough to know what they needed to learn. A huge
part of that is flexibility. We needed to be able to change lesson plans depending
on what kind of day the students were having, and what students were there that
day. We got the best experiences with our students because we knew what each
one needed to learn their best.

What I Learned from This Experience:
I learned that I love working with these students. Everyday was an adventure.
You had to be on your toes because you never knew what was coming next. You
never knew who was going to spill paint on themselves, or who was going to fall
asleep playing with puppets. It was good knowing that those students came to
school everyday like any other child and learned while having fun.

What I Learned About Myself as a Prospective Teacher:
I learned about individual modifications. I also learned how to put this
knowledge into a regular ed classroom. Every child deserves individual
modifications to various degrees.
I learned how some students just need a stable base and reputation. A lot of
the students will never be in regular ed classrooms full days. But when they come
into the classroom at the learning center, they know what they are going to be
doing, and leave the classroom with a feeling of accomplishment. While other
classrooms are learning colors and numbers, we were teaching the students life
skills to move on into regular ed classrooms. I learned so much from these students.

Artifact 2 (written while student teaching)

Artifact Reflection #2

Title of Artifact: Theory 2 at Pioneer Summer Music Camp
Date Experienced Completed: Summer of 2007

Description of Artifact:
Every year I am a counselor for Pioneer Summer Music Camp, held on
the UW-P campus. Not only am I in charge of watching the kids every minute
of everyday, but I also have other responsibilities. I get to help run choir
rehearsal, and help organize fun social events. Another one of my
responsibilities is teaching music theory 2.
Every student takes a simple placement test, and is placed by ability in
one of the classes. The children coming in have every variety of skill level and
performance. Theory 2 is for those students who do not know much music
theory, but know at least a little. I teach them time signatures (the beat/rate at
which something is played), note value (how long a note gets in relation to the
time signature), and how both are dependant on each other. My artifact is the
worksheets I use to help teach this class. We have five days to teach what we
want to get across, and time signatures can be very tricky for beginning
students. I feel these handouts make learning quicker, and easier for the young
student.

Wisconsin Teacher Standard Alignment:
I believe this artifact best aligns with Standard Two: Development-
teachers know how children grow. I understand that children taking this class
have all had a very broad range of previous instruction. They are a variety of
ages, and performance ability. With this in mind, you have to teach so that
everyone will get something from it. My goal was to have the students walk
away at the end of the week with the confidence to understand, and be able to
analyze, any piece with different time signatures they may come across. I have
this goal for them because the key to reading music is understanding the beats,
and the rhythms in the measure. If a student can read a time signature, they are
one step closer to being able to read the rhythms. When a student can read
rhythms accurately, they will more than likely succeed in music. When I set the
goal of having them understand time signatures, I am setting them up for
success! And isn’t that what we want for all our kids?
These handouts make it easy for students of any ability level to
understand the concept of time, and what time signatures mean. Not only that,
but it gives the children a visual representation of what the musical concept is
trying to portray. We learn that all students have different ways of learning. By
having this picture for them to follow, I am appealing to the visual learners, as
well as auditory learners. The next step, for the kinesthetic learners, would be
having the students clap and count the rhythms and how they differ. By using
this one handout, I can appeal to all the different ways children receive and
process information. By relating it with pictures, and breaking it down,
hopefully they will be ale to hold onto this information longer, and carry into
their own performance abilities. Sometimes the students don’t realize just how
much math is involved in music! The pictures make a chart to follow, when
words are sometimes harder to explain this concept. Now, with this clear-cut
picture, they will be able to not only help themselves, but also will be able to
access and help each other learn the concept.

University Wisconsin Platteville School of Education Knowledge, Skill,
Disposition Statement Alignment:
My artifact aligns with KD1.b-Demonstrates knowledge of students. I
feel this because I understand that all children learn differently, and I feel my
artifact can be used to fit all their needs. No matter what their background is, no
matter what culture they come from, if they are taking music, they can
understand this. Music is the universal language. Once you learn how each
child learns, it is only a matter of giving information that way. I am truly
fortunate in music to be able to teach the same lesson in every different way.
There aren’t too many modifications that have to be made to adjust to each
student. Whether it is explaining with lecture, writing it out, or actually
clapping/playing/singing it, the students can walk away knowing something
they didn’t before this lesson was taught.
This alignment is one of my favorites because it means you have to learn
your students. They aren’t just a name or a number. They each have their own
interests. They each have their own way of taking the information you give, and
applying it to what they know. By having to know each child’s learning
capability, you have to know the child! I completely advocate knowing as
much as you can about the child. The more you know, the more you can relate
information to them. This way, learning is personal. Learning is fun. Learning is
something they can carry with them forever.

What I Learned from This Experience:
I learned that no matter what background a student comes from, when
you are teaching a new musical concept to everyone, the playing field seems
more level. So many of the children freak out when they hear they will be
taking music theory. I feel that by handing out these worksheets for everyone to
follow along, they are more apt to not only pay attention, but also grasp the
concept. By taking this music concept, and drawing it out, the student can grasp
what it means. So much of music is emotion, and a deep understanding of
something that can’t be explained. By actually making a formula for
understanding “musical time” the students can feel more confident in their
counting and playing abilities!

What I Learned About Myself as a Prospective Teacher:
I learned that I really can teach complex concepts to young students. I
worked hard trying to figure out a way to teach time signatures, knowing that
most of these students have never been exposed to what it really means. When I
came up with making a work sheet, I knew I had to make it simple, and by
making it the way I did, any new student can look at it, and understand it. I
learned I really was paying attention in my music theory classes throughout
college  :)

Artifact 1 (written while student teaching)

Artifact Reflection #1

Title of Artifact: WDHS Color Guard Instructor
Date Experience Completed: Fall 2008

Description of Artifact:
While student teaching at Wisconsin Dells High School, I got to be the color
guard (flag squad) instructor during the marching band season. It was my job to
make up all routines for the squad, and teach it to them. Every week I made a
reminder packet for the girls breaking down all the routines we had just learned so
they could study the packet and be extra ready for the upcoming performance. For
the final concert, I made a huge packet with all the routines we had learned and
would be performing. This artifact is the packet I made them. It explains all
routines, the order of the concert, and what is needed of them at the concert.

Wisconsin Teacher Standard Alignment:
I believe this artifact best aligns with Standard One: Content. I feel this
because standard one talks about really knowing the core concepts and being able
to utilize them into meaningful lessons. In order to be a color guard instructor, not
only do you have to know movement, but really understand the music. You have to
understand the concept of pulse, and the movement of the music. You also have to
understand how to put to movement and music together. You can’t just sit down
and write a color guard routine. You have to do lots of score prep, and listening to
the music. Score prepping is when you look at the score and break it into sections.
When does the melody come back, is there any music that repeats itself, and what
phrasing the music has. You must know the music inside and out. You also have to
be able to teach it effectively. You have to know pacing, and how to explain it to
each person on the squad’s different levels of ability.
As you can see in the artifact, it breaks down not only each section, but also
each move, into counts. There is a regional language with color guard. Guards
from different learning styles could have very different names for the same move.
Since it was my first year working with the guard at WI Dells high school, I had to
adapt my language, and broaden theirs. Something I have grown up calling “front
sweeps” is a move they call “giants”. Very different language for the same move.
To accommodate for this, I have broken down all moves into counts, so that
language will not be a barrier. This requires the instructor to know the counts of the
music really well, and be able to convey it to the students effectively, while
reminding them how much fun color guard is!
After the season, my color guard said that the packets really helped them
learn, and not just perform the routines, but understand them.

University Wisconsin Platteville School of Education Knowledge, Skill,
Disposition Statement Alignment:
My artifact aligns with KSD1.a-Demonstrates knowledge of content and
pedagogy. I feel this because in order to write and teach color guard routines, you
have to know what you are teaching! One has to have an in depth knowledge of
musical counts, break down of moves, and what actions go with what parts of
music. You also have to know how to adapt routines, and teach at different speeds.
I also feel it aligns with KS3.c-Engages student in learning. I think my student
teaching advisor said it best when she said, “When you’re teaching something as
exciting as color guard, how can students NOT be engaged?” Teaching color guard
is not like teaching math or English. They are up and moving. They have to be
engaged because you can tell by looking at the squad who is and is not getting it.
They are actively involved in asking questions and helping each other out.

What I Learned from This Experience:
I have been a color guard instructor for many schools, but I never had to write
and teach so many routines. It was really nice to have my own time to pace things,
and teach what I wanted. I learned how to accurately break down moves in color
guard language that I was not familiar with.

What I Learned About Myself as a Prospective Teacher:
I learned how to pace my lessons. There were so many routines, and I had to
fit all of them into the class periods I had before the performances. This means that
some routines had to be modified because not enough time could be given to work
on the harder parts. I learned sometimes you just don’t have enough time for
everything you planned! And you just have to teach them everything you can to
help them succeed.
I also learned how to adjust lessons for all the different levels of ability. In
order for everyone to look good and together, you need to write for your newest
members. There was such a variety! We had girls that have never spun, and some
girls that have been spinning flag their whole high school career. I learned that I
naturally write sequences in the routines. I make one easier, and one harder, and
then the each student can spin to the best of their ability.

Resume

Ashley M. Miller
103 N. McKinley St.                                                                                      Cell: (608) 732-6761
Lancaster, WI 53813                                                                ashley.music.miller@gmail.com

OBJECTIVE                                                                                                                                                   
 To be a middle school band teacher

EDUCATION                              
             University of Wisconsin-Platteville, Platteville, WI
            Bachelors of Science, December 2008
            Majors: Instrumental/General Music Education             

FIELD EXPERIENCE                 
            Band Director, Lancaster Middle School, Lancaster WI, September 2011-Present
                        -Beginning band lessons, 6th-8th grade bands, 6th-8th grade lessons jazz
                        ensemble, various small ensembles, and middle school marching band
                        -6th grade general music, cross-curriculum
                        -Color Guard Instructor
           
            Armada Cadet Winterguard, Oregon WI, October 2009-Present
                        -Director for competitive winterguard (4th-8th grade)

            UW-Platteville Pioneer Summer Music Camp Staff/Counselor, June 2004-Present
                        -Rehearsal assistant for the middle school band
                        -Music Theory 2 teacher   
                        -Assistant to woodwind sectionals, and clarinet master class 
                         
            Child Development Inc/Little Chicks Learning Academy, Madison WI, March
            2010-August 2011
                        -Lead teacher 2-3 year old room. Creative curriculum experience
                        -CPR, Shaken Baby, SIDS trained

Long Term Substitute, Park View Middle School, Mukwonago WI January 2010-April 2010
                        -8th Grade Band, beginning band, beginning band lessons
                        -7th Grade “Life Music” class

Substitute Teaching Madison, Oregon, and Verona September 2009-March 2010
                        -Sub for all grades and all subjects

Substitute Teaching in the Iowa City School District March 2009-June 2009
                        -Long term substitute in the MDBD room at Mark Twain Elementary school.
                                    Students with various cognitive disabilities and behavioral problems.
                                                                             
            Student Teaching in Wisconsin Dells, August 2008-January 2008
            Wisconsin Dells High School and Spring Hill Middle School Bands
                        -Teaching and conducting full band rehearsals for various grades
                        -Assisted with jazz band, small ensembles, and solos of various instruments
                        -Color guard instructor for high school
           
            Pre-student Teacher in Platteville School District, February 2008 – May 2008
            Platteville High School and Platteville Middle School Bands
                        -Taught band lessons, various ensembles, and full bands
                        -Assisted in high school adaptive music class for children with special needs
                        -Wrote, taught, and auditioned color guard
           
WORK EXPERIENCE                                  
            Piggly Wiggly, October 2002- August 2008, Platteville, WI
                        -Check-out Operator, Deli Clerk, Customer Service Clerk, Video Clerk, Bakery
                                    Clerk, Sign Maker, count tills
                                     
            McDermott’s Cafe, April 1998- October 2002, Platteville, WI
                        -Waitress, busser, hostess, customer service
             
LEADERSHIP POSITIONS                                                                                                
            -Wind Ensemble President, September 2007 - May 2008
            -Coro d’Angeli President, September 2007 - May 2008, Social Chair, September
                        2004-May 2005
            -Chamber Choir, Social Chair September 2007 - May 2008
            -University Singers, Vice President September 2005 - December 2006, Social
                        Chair, September 2004-May 2005
            -Marching Pioneers, Color Guard Captain, May 2007-December 2007  
            -Sigma Alpha Iota, Music Director, December 2007-May 2008, Editor, May 2007-
                        December 2007, President, May 2006-May 2007, Vice President Ritual, May
                        2005-May 2006, Sergeant at Arms, May 2004-May 2005. Fall 2004-Spring
                        2008: Homecoming Chair, Fundraising Chair, Community Service Chair, and
                        Fraternity Education Chair
            -Segregated University Fee Allocation Commission- LAE Commissioner,
                        November 2006-May 2008
            -Section Leader: Wind Ensemble-bass clarinet, Orchestra-viola, Symphony Band-
                        bass clarinet

COLLEGE ACTIVITIES
            -Relay For Life, McDermott Family Team, April 2001-present
            -University of Wisconsin-Platteville Marching Pioneers Marching Band,
                        August 2003 –December 2007
            -Symphonic Wind Ensemble, September 2003 – May 2008
            -Coro d’Angeli Women’s Choir, September 2003 - May 2008
            -Sigma Alpha Iota, February 2004- May 2008
            -Colligate Music Educators National Conference, September 2004- May 2008
            -Segregated University Fee Allocation Commission, November 2006- May 2008
            -Chamber Choir, December 2007- May 2008
            -University Community Orchestra, August 2003-May 2005, February-May 2008
            -University Singers, August 2003-December 2007 

HONORS AND AWARDS                                                                                                 
            -University Wisconsin Platteville Alumni Association Lifetime Achievement Award,
                        Graduation, December 2008
            -Sigma Alpha Iota Katie Hartke Memorial Scholarship, January 2008
            -John Riddle Music Scholarship, May 2003-May 2007
-UW-Platteville Chancellor’s List
-Wisconsin National Band Association Collegiate All Star Band Member, January
            2003 – January 2008
-College Music Educators National Conference Colligate Honors Band Member,
            February 2004

References

Marti Fults, Band director Wisconsin Dells High School and Spring Hill Middle School
520 Race St.                                                                                                       Cell: (608) 408-0306
Wisconsin Dells, WI 53965                                                                             mfults@sdwd.k12.wi.us
                                                                                                                                                                                                                                     
Nick Lane, Director of bands Oregon High School, Shadow Armada Marching Band
345 Perry Parkway                                                                                             Cell: (608) 692-0525
Oregon, WI 53575                                                                                                  nel@oregonsd.net


Dr. Barry Ellis, Director of bands and professor of Conducting at UW-Platteville
161 Doudna Hall                                                                                             School: (608) 342-1017
1 University Plaza                                                                                                Cell: (608) 778-7950           
Platteville, WI 53818                                                                                               ellisb@uwplatt.edu


Matthew Gregg, Assistant Director of bands at UW-Platteville, Director Marching Pioneers
162 Doudna Hall                                                                                              School: (608) 342-1019
1 University Plaza                                                                                               Cell: (608) 577-6475           
Platteville, WI 53818                                                                                      greggm@uwplatt.edu

Jimmy Brooks, Former Director Child Development Inc.
Stoughton, WI 53589                                                                                            Cell: (608) 515-4057
                                                                                           futuregenerationsjames@yahoo.com